The example: ODESSA GRAY, a musician in Los Angeles
ODESSA GRAY is a musician in Los Angeles we invented to show what we build for this trade — every page above works. Glassmorphism · frosted depth.
What a musician website has to do
Most artists run their career from one link in their bio, and it shows. The same template as everyone else, a stack of buttons, and nothing that says who you are before a listener taps away.
A musician website does a few jobs, and it has to do them in the time it takes to scroll past a story: play the record, sell the tour, give press and promoters what they need, and make sure a booking enquiry reaches the person who handles bookings. Everything else is decoration.
That is what we build for musicians, bands and creators: one link that looks like your record, links you edit yourself, tour dates wired to your ticketing, and a contact page that routes booking, press and sync. ODESSA GRAY, above, is the example: a Los Angeles artist with a record out and a tour on sale.
Direct-to-fan sales made up 63% of first-week physical album sales among the top US albums of 2024.
Source: Luminate Year-End Music Report, 202420% of US music listeners are superfans, and 73% of superfans buy physical merchandise, against 26% of listeners overall.
Source: Luminate, 2025
- 01
Links you edit yourself
A new single, a new video, a merch drop: you change the links yourself, in seconds, with no one to email.
- 02
The record, playing
A player that keeps its place as the listener moves between pages, so the music is part of the site and not a link away from it.
- 03
Tour dates that sell tickets
Every date with its city and venue, one tap from the ticket. On your site the dates come straight from your ticketing.
- 04
A press kit that is ready
Bio, photos and the facts a journalist or promoter needs, in one place they can take from without asking.
- 05
Enquiries to the right inbox
Booking, press and sync each go to the person who handles them, not to one address nobody checks.
- 06
A look that is yours
The site takes its look from your record, so a listener who taps the link lands in the same world as the artwork.
The example, page by page
01Links
The link stack in one frosted surface, every link the artist edits herself, set against the record’s artwork.
02Listen
The record, with a player that keeps its place while you move between Links, Listen and Tour.
03Tour
Every date with its city and venue, each a step from the ticket.
04About
The bio and a press kit: photos and the facts a promoter needs.
05Contact
One page that sends booking, press and sync to three different inboxes.
Followers into ticket holders
Built to move followers into listeners and tickets. One link that plays the record and sells the date keeps a fan on the page, and the click data shows which links actually pay.
How we build it
- Day 1
The links
Your links, releases, dates and contacts gathered in one place, with who handles booking, press and sync.
- Days 2–3
The look
The site designed from your artwork, so the link reads as part of the record.
- Days 4–5
Live
Streaming, store and ticketing connected, your editor set up, and the link swapped in your bios.
What a musician website costs
From $1,700
3–5 days to live · fixed price, agreed before we start · branding included
What moves the price
- How many releases and links
- Tour dates synced from your ticketing
- A store for merch or music
- A full press kit with downloads
After launch, hosting, uptime, security and monthly reporting run from $250 a month: a monthly retainer, never a contract term.
Questions we get asked
How much does a musician website cost?+
Ours start at $1,700, fixed and agreed before we start. The price moves with how much it connects to: streaming, a store, ticketing, and a press kit with downloads.
How long does it take?+
Three to five days from the first call to live. Day one gathers your links and contacts, the next two are the design, and the last connects your streaming, store and tickets.
Why not just use a free link-in-bio tool?+
You can, and many artists start there. The difference is that a free tool looks the same for everyone and sends your audience through someone else’s brand. Your own site looks like your record, keeps the data on who clicked, and lives at your name.
Can I update it myself?+
Yes. New links, new dates and new releases are yours to change, with no developer in between.
Is ODESSA GRAY a real artist?+
No. ODESSA GRAY is a Los Angeles musician we invented to show what we build for artists. The pages and the player work as a design you can try; the links, the stream and the tickets are what we connect to your accounts at build.
Does it work for bands, DJs and podcasters?+
Yes. Anyone whose audience arrives through one link needs the same things: the latest release, the next dates, and a way for the right people to get in touch.
